In their collaborative and solo projects, currently on view at Pioneer Works in New York, Tega Brain and Sam Lavigne cheekily empower visitors to fight climate change

A new initiative will see some galleries donate a percentage of their sales to the Gallery Climate Coalition, but when it comes to environmental action there is still much to be done, writes Louisa Buck

Investing in meaningful action on the climate emergency can seem daunting for smaller, cash-strapped outfits, writes Louisa Buck, but it pays off in more ways than one

The Danish-Icelandic artist, who also launched a permanent public art piece in the UK this week, took a block of ice from Greenland to Rome

The Centre International d’Art et du Paysage—Île de Vassivière is drawing on both its natural and man-made surroundings for inspiration

Participating galleries have signed up to pledge 10% of the sale price of selected works to fund the Gallery Climate Coalition

Environmental damage is increasingly visible at the ruins of the former trading hub, located in modern-day Tunisia

The luxury, fashion and fragrance house has given Nicolas Audebert and his winemaking team the time and freedom to bring back to their best two grand old wines: Château Rauzan-Ségla and Château Canon

Local Waurá activists have taken the Brazilian government to task for complacency towards global warming as their ancestral pottery practice becomes harder to maintain

An important part of local and global ecosystems, the lake is facing significant drought due to diversion and climate change

Lin’s project, along with other timely shows and programmes around the city, uses art to address the climate crisis

The draft “Code of Ethics” was published by the Museums Association earlier this week

The 2,300-year-old tombs were unearthed following a significant decline in water levels

With the agency to make decisions on emissions-heavy activities, collectors play a crucial role in the industry

Having recently opened its third edition, Helsinki Biennial marks what is undoubtedly a new departure in eco-biennales, writes Louisa Buck

Vivienne Schadinsky, artist-in-residence at OmVed Gardens, in north London has used the two-acre plot as a “living laboratory” to make ink paintings, films, sculptures and prints devoted to beans and their ecology

The Brazilian artist captured whole societies in his teeming, panoramic images, and used multimedia storytelling as environmental activism

‘Black Earth Rising’ is a reminder that the climate catastrophe is often felt most keenly by the populations who bare least responsibility for it

In addition to revealing the 74 recipients of new Frankenthaler Climate Initiative grants, the foundation announced it will extend the initiative another five years

Protestors are taking high personal risks with the aim of affecting policy and corporate responsibility to make clear the scale of the looming climate catastrophe

It is yet to be confirmed how the three recipient institutions will collaborate on a subject of great importance to Venice and the world

The activist from Last Generation Canada said “more resources have been put in place to secure and protect this artwork than to protect living, breathing people”

These unique monuments to a coastal way of life, some of them dating to the US’s colonial period, appear on the 2025 World Monuments Watch list alongside historic sites in countries experiencing war and drought

David Attenborough’s new documentary “Ocean” and the activist group Ocean Rebellion are harnessing imagery in the fight against marine destruction

The Brazilian documentarian was internationally known for his panoramic photographs of humanity surviving on the edge and for his work as a campaigning environmentalist

Following an open call, this year's chaotic but entertaining Biennale features artists, engineers and climate scientists alongside the architects

‘The Herds’ is an expanding throng of life-sized moveable animal sculptures—and it succeeds where many ostensibly green projects fail

The Chicago-born pontiff—the new spiritual leader of 1.3 billion Catholics and the proprietor in trust of the great art and architecture treasures of the Vatican—has publicly supported his predecessor Pope Francis's lead on climate change

Tight timelines for set-up, shipping and deinstallation, plus often extensive travel for staff and clients, make the sector stubbornly unsustainable

After three years spent critiquing the art world's response to the climate crisis for this column, Louisa Buck takes stock of what's been achieved—and what remains to be done