Slade to Zaria, which refers to the prominent art schools in London and Nigeria, is a column by Chibundu Onuzo, a novelist and fellow of the Royal Society of Literature. Every month in The Art Newspaper she shares her reflections on the contemporary art world.
The British artist's first major survey exhibition in Manchester is worth leaving the London-centric art bubble for
The experience of working with Antonia Caicedo Holguin bestowed more on me than a lofty—and often far too exclusive—title ever could
Make room in your suitcase for novelist Chibundu Onuzo’s must-read titles of the season
As this year's calendar gets under way—next stops, Delhi and Los Angeles—Chibundu Onuzo reflects on her experience at Frieze London to assess what these global events offer
How the "discovered" sculptor is building a history of Nigeria in steel
Artists are rushing to fill the wide gaps in museums' holdings of Black figurative art, but much of this work has an aspirational approach
Ahead of its time, 1-54 Contemporary African Art Fair is more than just a satellite to the Regent's Park event
When Black artists break through in the market, they are often described as 'discoveries', yet there's a long line of artists that came before them
The trials and tribulations of building an art collection
Silos are tight in the arts, but here's how musicians, artists and writers and can work together to bring in new audiences
Despite the stars of so many artists of colour rising in the West, the trend is not reflected within the dealer community
