The event may be focused around Artissima, Italy’s leading art fair, but there's must-see exhibitions to found across the city

Mutual Aid, recently opened at the Turin museum, is devoted to work humans have made in collaboration with other species

A Paris dealer wants €50,000 for them, deadline the end of 2024, and a crowd-funding appeal has been launched in Italy

Fondazione Arte CRT’s new chief wants to bring art to the masses via public art programmes

The mission of the project, designed by OMA architects, is to make the museum more accessible to the public

The vast works shown in Northern Italy were made last year at camps in locations including Greece and Rwanda

As with year's previous, work at lower price points does well at Italy's most cutting-edge commercial art event

Pinacoteca Agnelli art complex, housed in former Fiat factory, launches with Sylvie Fleury show and Picasso display

Italian elegance has been applied to pieces collected over 400 years for the revamped archaeological gallery, which opened in the Palazzo Reale this month

Exhibition at Palazzo Madama promises an impressive number of works—and a fresh view of the Renaissance master's legacy

Bertrand de Royere provides a thorough examination of the life the 19th century decorator and furniture designer Pelagio Palagi

Turin has all the grandeur of Paris, but none of the haughtiness

The Italian contemporary art fair is looking into cutting edge works this November

State-of-the-art conservation project that took 21 years brings masterpiece of Baroque architecture back to its former glory

The Italian state has a permanent right to confiscate illegally exported work

OGR's first show remixes the city's collections from antiquity to present, reflecting on the over production of contemporary art and the fact nothing is new

New director Ilaria Bonacossa introduces a drawings section and plans to return Turin fair to its experimental roots

The Italian dealer and co-founder of Sperone Westwater spoke to us in 2011 about botany, the difference between European and US galleries and why the "big gallery" systems won't last