Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Fairs
preview

San Francisco fairs target tech wealth

Fog Design+Art blurs genre boundaries and Untitled upgrades its venue in a bid to convert Bay Area browsers into buyers

James H. Miller
10 January 2018
Share
Denny Gallery is presenting Ann Shelton's pigment print The Scarlet Woman, Valerian (Valerian sp.) (2015–ongoing), at the second edition of Untitled in San Francisco Courtesy of Denny Gallery

Denny Gallery is presenting Ann Shelton's pigment print The Scarlet Woman, Valerian (Valerian sp.) (2015–ongoing), at the second edition of Untitled in San Francisco Courtesy of Denny Gallery

With a pair of San Francisco fairs coinciding during one of the few slots left on the art market calendar, organisers are optimistic that the city’s scene now has international pull. The five-year-old Fog Design+Art returns 11-14 January at the Fort Mason Festival Pavilion, while Untitled, in its second year, jumps to the Palace of Fine Arts, 12-14 January. “I believe that because of the two fairs, a San Francisco art week is emerging,” says the director of Untitled, Manuela Mozo. (Photofairs San Francisco, which debuted last year in January, will run 23-25 February.)

Many New York galleries are breaking into the Bay Area market with Untitled, including David Zwirner, with works by Oscar Murillo; Tina Kim, showing Korean Dansaekhwa artists; and Eric Firestone, offering paintings by Marcia Marcus, Miriam Schapiro and Howard Kanovitz. At Fog, the first-timers include Luhring Augustine, Sadie Coles and Paul Kasmin.

"We've always danced around the idea of participating in San Francisco, and for some reason this year is the year it came together and we were able to do it. It's got such a great reputation, good dealers," Edith Dicconson, director of Paul Kasmin, says of Fog. Kasmin will dedicate its booth to sculptures by the French husband-and-wife duo Claude and François-Xavier Lalanne, whose works blur the lines between art and design.

Cristina Grajales, whose eponymous New York gallery exhibited at the first edition of Fog in 2014, says she is "astounded" by how the fair has grown since that time. The event features some 45 exhibitors, and tickets for the preview gala on 10 January, which benefits the San Francisco Museum of Modern Art (SFMOMA), are sold out. "With the expansion of SFMOMA [in 2016] and several important art galleries opening spaces in San Francisco, it's a very vibrant market," Grajales adds. She will present works by the identical twin artists Doug and Mike Starn.

But the million-dollar question remains: will Silicon Valley buy? Kasmin's Dicconson, asked if the gallery is in search of the elusive tech collector, says, "'Yes' would be the bottom-line answer." Fortunately, Mozo believes the tech crowd “are gaining more and more interest” in art. Untitled has even organised an event for Google employees on “what patronage means to a young artist, what a fair is and how to approach collecting”. 

FairsArt marketDesign
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Art marketnews
20 January 2020

San Francisco fairs reflect the Bay Area's widening wealth gap

While Fog Design+Art and Untitled continue to draw established dealers, younger galleries opt out due to concerns over the wider cultural economy

Leora Lutz
Art marketnews
11 May 2016

Can SFMoMA's $610m renovation boost the Bay Area’s art market?

New blue-chip galleries are popping up around San Francisco, but it remains to be seen if the collector base can keep up

Dan Duray