Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Venice Biennale 2019
news

Veteran Romanian artists to represent their country at Venice Biennale

Three artists who endured communist era will show new versions of installations

Richard Unwin
6 February 2019
Share
Belu-Simion Fainaru’s You Have Always to Start Anew, 2012, Dan Mihaltianu’s Canal Grande (Corridor), Bucharest, 1984, and Miklos Onucsan's The White Camouflage (detail), 1998-2009 Courtesy of the artists

Belu-Simion Fainaru’s You Have Always to Start Anew, 2012, Dan Mihaltianu’s Canal Grande (Corridor), Bucharest, 1984, and Miklos Onucsan's The White Camouflage (detail), 1998-2009 Courtesy of the artists

Three artists whose careers first took shape in the 1980s have been chosen to represent Romania at this year’s Venice Biennale. Curated by the art historian and theorist Cristian Nae, the group's exhibition—Unfinished Conversations on the Weight of Absence—will present new versions of individual installations by Belu Simion Fainaru, Dan Mihaltianu and Miklos Onucsan.

Selected in January by a mixed panel of Romanian and international judges that was convened by the country’s Ministry of Culture, the exhibition will be produced by the Cluj- and Berlin-based Galeria Plan B, which represents Fainaru and Onucsan. It will be the third time that Plan B’s founder, Mihai Pop, has been involved in his country’s official Biennale presentation, with the influential gallerist acting as curator in 2015 and commissioner in 2007.

Nae tells The Art Newspaper: “One of the main reasons for presenting the work of these three artists relates to their multinational trajectories: Onucsan lived and worked in Romania, but he is of Hungarian origin; Fainaru emigrated during communism and established himself in Belgium and Israel; and Mihaltianu still lives between Bergen, Bucharest and Berlin. I think that this cultural dynamic is both telling for understanding the limitations these artists endured during the 80s, as well as the way that the international careers they managed to construct later shaped their thinking.”

Nae added that Plan B’s experience would be essential in successfully producing the show and that, while costs would be partly covered by the Ministry of Culture, the exhibition will be co-financed by additional partners who will be announced in due course.

The presentation of the installations in the Romanian pavilion, located in the Giardini, will be complimented by further work shown at the New Gallery of the Romanian Institute for Culture and Humanistic Research, in Venice’s Cannaregio district.

Venice Biennale 2019Venice Biennale
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Obituariesnews
19 September 2018

Geta Brătescu, Romanian multidisciplinary artist, has died aged 92

She was an important figure of the European country’s avant-garde scene with a career spanning more than six decades, but gained wider international recognition in recent years

Gabriella Angeleti
Electionsnews
24 April 2025

Ahead of Romania’s re-run presidential election, its art scene remains vigilant

With the far-right candidate George Simion leading in the polls, concerns have been raised about what his victory may mean for “contemporary, critical, or progressive forms of art and culture”

Richard Unwin