TeamLab Phenomena is the first of several major museum openings due this year in the UAE capital, including the Guggenheim Abu Dhabi

The written descriptions of works of art are more than just labels—they are a record of evolving cultural understanding, writes Curationist's Amanda Figueroa

Politicians in the city say the “inadequate” display of the mixed-media piece depicting Giuseppe Pinelli, who died after falling out of a police station window, fails to properly confront a dark chapter in the city’s history

A Veronese show in May is set to be latest in long line of Renaissance Venice crowd-pleasers for the Spanish institution

Amid a backlash by locals fed up with party-loving visitors, the city’s tourism authority has teamed up with museums to promote a series of exhibitions

Award-garlanded, commission-rich and lavishly praised, Selldorf is the art world’s go-to architect

A crisis that began as an uproar over how the Bavarian State Painting Collections handles Nazi-looted art has widened as Bernhard Maaz “clears the way for a new beginning,” according to the state minister

Faced with anti-immigrant policies, institutional leaders are providing “know your rights” guidance

Housed in one of the historic Jane Addams Homes, the new museum aims to challenge perceptions about the sector

Some institutions have ditched their accounts in protest, while others have chosen to “quiet quit” and stopped posting on the Elon Musk-owned platform

A new museum in Shanghai leaps into our top ten and European museums continue their strong performance, but our exclusive annual survey finds that some British institutions are still lagging behind

The Ian Wardropper Education Room, named after the museum’s outgoing director, welcomes everyone in the community

The 90-year-old Manhattan institution—historic home of the industrialist Henry Clay Frick—opens a new chapter, expanding gallery space and inviting the public into the Frick family’s former living quarters for the first time

Art was not a part of the philanthropist’s life growing up in a remote town in Russia, but moving to Europe some years ago opened her eyes, and she is now an avid collector and generous donor

Remuseum’s second report concludes that admission fees are raising few funds and keeping out potential visitors—and expansions are often not worth the money

The cost—financially and environmentally—of preserving works of art can be huge. Perhaps it is time to rethink how we look after them

The UK institution is slashing 7% of its workforce as "real-terms decline" in public funds and declining visitor numbers continue to bite

What’s behind the new, more measurement approaches to programming at museums, art fairs and more? Plus, a chat about current tensions around culture in the Netherlands and a close look at one of the most famous depictions of a wintery landscape

The exhibition opening at Bath's No.1 Royal Crescent, which pairs works by the 18th-century collagist and the contemporary artist, is part of a series of shows attempting to draw new audiences to the gallery

US museums relish the fair as much as ever, and are increasingly interested in buying works that will diversify their collections

As organisations reject tainted donors, they must deal with changing attitudes, budget cuts and socially aware audiences while engaging with new forms of private funding, a summit at Tefaf Maastricht explores

The London institution had a false start as a museum, but is now thriving with its winning combination of hosting temporary exhibitions and art fairs, and renting studio spaces to creatives

The announcement of new providers for services at leading cultural institutions has prompted an outcry from workers and opposition politicians

Currently in charge of Dutch and German baroque painting at the Bavarian State Painting Collections, Ebert succeeds Marion Ackermann in May

The artist's solo exhibition was due to open at the Belvedere 21 Museum of Contemporary Art last month

Sixty roles are at risk at the London institution, although almost half are "current vacancies", a spokesperson says

The museum, based outside Oslo, is offering a bespoke—and pricey—programme for art lovers

Adam M. Levine, the director of the Toledo Museum of Art, argues that non-profits must embrace sound financial practices as a strategy to sustain and amplify their missions

Transhistorical shows, often pairing Old Masters with contemporary art, are frequently critical successes but the commercial benefits are less obvious

The director of the National Gallery of Art in Washington, DC, offers sage advice on how non-profits can best manage personnel changes at the top