The last painting made by Gustav Klimt, left on his easel when he died in 1918 of illnesses relating to the Spanish flu epidemic of that year, has sold at auction in Vienna for €35m including fees. But much remains unclear about the picture, including its sitter, its commissioner and what happened to it in the Second World War.
Ben Luke talks to Catherine Hickley, The Art Newspaper’s museums editor, about whether this murky provenance contributed to its relatively low price for a Klimt in the saleroom.
Installation view of Rebecca Horn’s Tower of the Nameless (1994)
Photo: Markus Tretter © VG Bild-Kunst, Bonn 2024
A retrospective of the pioneering German artist Rebecca Horn opens this week at the Haus der Kunst in Munich, and we talk to Jana Baumann, its co-curator, about the show.
Paul Cezanne’s Mont Sainte-Victoire (1886–87), during conservation, with discolored varnish removed from left side but the right side still uncleaned (left) and after conservation (right)
Photo: The Phillips Collection, Washington, DC
And this episode’s Work of the Week is Mont Sainte Victoire, one of dozens of paintings made by Paul Cézanne of the towering limestone peak near Aix-en-Provence in France. Painted in 1886-87, it is in the collection of the Phillips Collection in Washington, D.C. Elizabeth Steele, the Phillips’s head of conservation, describes how she revealed the painting from a century of discoloured varnish and dust as it goes on view in the exhibition Up Close with Paul Cezanne, which is at the Phillips until 14 July.
- Rebecca Horn, Haus der Kunst, Munich, Germany, 26 April-13 October
- Up Close with Paul Cezanne, Phillips Collection, Washington D.C., until 14 July.