Biennial

Manifesta biennial heads to Palermo

Europe’s roving international art exhibition is in the “last stage” of an agreement to hold its 2018 edition in the Sicilian capital

Published online: 16 December 2014

Recently published

Biennials move to a Latin beat after decades of controversy

Surge in new and revived South American exhibitions reflects global demand for contemporary art

Published online: 05 December 2014

In New Orleans, you gotta have a dream

Curatorial kudos to Prospect 3 as it aims to become the leading US biennial

Published online: 04 December 2014

Shanghai Biennale is more about process than product

With the theme Social Factory, the show takes a conceptual turn away from the spectacle of China’s art market

Published online: 27 November 2014

Businessman to finance Kochi-Muziris biennial

T.V. Narayanan Kutty, chairman of IAL Group, pledges annual funding of $165,000

Published online: 04 November 2014

Venice, unfiltered

The critics react to Okwui Enwzor’s curatorial vision for the next biennial

Published online: 30 October 2014

 

It’s a filthy world

The director of “Pink Flamingos” John Waters has been announced as a special guest of the next FotoFocus contemporary photography biennial,...

Manifesta’s moggies

“Erik van Lieshout’s work takes as its themes sex, violence, ‘high art’ and its institutions, and commercial culture.” The Manifesta...

Carolyn's curatorial conundrum

We know that curators are very intelligent and deeply cerebral, but we were foxed by Carolyn Christov-Bakargiev's curatorial statement for...

 

An interview with the curators of the 31st Bienal de São Paulo

Charles Esche and his team (Galit Eilat, Pablo Lafuente, Nuria Enguita Mayo and Oren Sagiv) have given a series of interviews that offer fascinating and occasionally prurient insights into the process of grappling with the biennial beast in general and the Bienal beast in particular—the recruitment process, the unforgiving character of the space and their ambitions to broaden the social base of the artists who participate and the visitors who attend.