Painting in a stairwell and foyer at the German Hygiene Museum is one of the few early works to survive

Richter, a native of Dresden, will have his first solo show with the Cologne-born mega-dealer in March 2023

A series of sketches for the artist's monumental SDI painting of 1986 are believed to be the "only studies for an abstract painting to have survived"

Sixth book explores the artist’s oeuvre, from the Cologne Cathedral window in 2007 to his last sculptures in 2019

The decision, the latest (and possibly last) in a legal saga that stretches back to 2015, upholds a 2021 decision in the auction house’s favour

Plus, Desert X opens second Saudi Arabia edition and Gerhard Richter's 90th birthday exhibition in Dresden

The Albertinum show brings together works from the artist's personal collection with museum loans, including portraits of his wife and children

Loan of over 100 works to future museum of Modern art encompasses Richter’s Birkenau series, the fruit of a decades-long quest for an artistic response to the Holocaust

From Mark di Suvero's poetry readings to Faustin Linyekula's performance in a cavernously empty Tate Modern

Troubled firm offloads some major works, but vows to continue buying emerging artists’ work

Announcement comes after the German artist turned down proposals for his own museum in Cologne

As a major retrospective on the artist is due to open at the Met Breuer in New York next year, we look at the German artist's market

After previous buyer defaulted on paying for the work in 2016, painting sold in London for £15.5m in a significantly smaller auction compared with 2018

Gerhard Richter’s post-war coming of age is fictionalised on film

Artist's donated installation pays tribute to "a small victory for science"

Sale aims to raise €1m to help buy 100 dwellings

John Hansard Gallery's Sampler show gives public a taster of future exhibition programme, which includes Richter retrospective

Anselm Kiefer and Neo Rauch also figure among 1,001 richest people

The abstract images were inspired by documentary photographs of Nazi death camp

The latest volume reveals Gerhard Richter’s variable but not always successful styles